Pudlo Pudlat, ᐳᓗ ᐳᓚ
Settlement: Cape Dorset / Kinngait
(1916-1992) — E7-899
"I tried to portray the Inuit land - the North - and the white man's land - the South..."1
Amadjuak, in what is now Nunavut (formerly part of the Northwest Territories), was Pudlat's birthplace in 1916 on February 4th. The artist passed away on December 28th 1992, in Cape Dorset.
Pudlat's sense of humour, curiosity and philosophical approach to life define Pudlat as much as his innovative art. He was known for having a "keen intelligence and curiosity," as well as for his introspection, and for an insightfulness that he applied not only to his own life but as well to Inuit and non-Inuit culture.2 Other observers have noted his "visual sense, his versatility and innovativeness in subject matter and technique."3 Dorothy Speak believed that "no other Inuit artist can be said to have bridged the old and new so adroitly."4
Maria Muehlen5 described his work as having "fun, irony and wit." His work, she observed, is filled with "layers of meaning." Marie Routledge stated that the artist is unique in his "talent to observe, to compare and to extrapolate."6 He is also described as the most "consistently whimsical of all the Cape Dorset artists."7
Dorothy Speak wrote8:
It may have been this curiosity of Pudlo's to observe worlds beyond his own, and his appetite for knowledge and for new experiences, that have set him apart from other Inuit graphic artists.
Additionally, she observed "his often poignant recollections of the great sorrows in his life enrich our understandings of the vicissitudes of life on the land."9 Sandrine Coronat waxed philosophical when describing the artist and his work10:
[He] went beyond what the eye sees, transcending to an intimate and poetic universe of images of daily life which are maintained and enhanced by deep traditional and cultural understanding and knowledge.
Of his own work Pudlat made the following observations11,12,13:
My brain and pencil seem to go together when I start to draw something in my head.
At times when I draw, I am happy, but sometimes it is very hard. I have been drawing a long time now. I only draw what I think, but sometimes I think the pencil has a brain too.
It is a reflection on Pudlat's character and his "indomitable spirit" that he was able to create such whimsical works despite the extreme hardships in his life.14 There was the loss of children, wives, and friends through illness, hunting accidents, accidental poisoning, and suicide. He once reflected15,16:
I have been through a lot. Today, when people are going through a hard time, they give up. They even commit suicide.
Various health problems introduced Pudlo to life in the south through various hospitalizations.17 This exposure to the south introduced to a different world.
He accepted the south with its essential strangeness and modernity. His ability to incorporate those differences enabled him to become an Inuit pioneer in the "utilization of modern imagery" in his art.18
Maria Muehlen observed that this imagery was more than just straight representation. His work was filled with "irony," "visual punning," as well as a "juxtapos[ition of] contemporary themes with traditional imagery."19,20 Marie Routledge noted that rather than being intimidated or reacting negatively to the culture and environment of the south Pudlat responded with an21:
Openness to experience, this eagerness to know, to understand, to assimilate the unfamiliar into the familiar, that is in a large sense the key to Pudlo's art.
In the mid-1970s the modern world came to Cape Dorset with permanent long distance telephone service, electricity, television, and regular air flights. Marie Routledge recounted a story of Pudlat's first encounter with an airplane.22 The artist was not interested the people leaving Cape Dorset or those debarking, nor was he curious about the goods being delivered. What fascinated Pudlat was the airplane.
Modern transportation and trips to the south meant that not only did his imagery changed but so did his visual representations of what he had seen.
Air travel showed Pudlat an aerial view of his world and changed the way he represented landscapes, animals and people. His representations of animals would become, for example, more "abstract" and "flattened."23 As well, his overhead views of landscapes would have what Dorothy Speak called "a mapmaker's exactitude of detail."24 Pudlat's landscapes, Routledge felt, were more than a "exploration of a geographical reality."25 What concerned Pudlat was a "quest for understanding the greater implications of space within a social context."26
Pudlat had commented27:
I really love making landscapes - the sky and everything... I like the scenery and I really love to draw it.
The art mediums he worked with, such as lithography and acrylics, also changed the way he represented figures, animals and landscapes.28 Unlike artists in the south Inuit artists' experimentation with new mediums depended on both their introduction (i.e., their delivery to the north) as well as their availability. This availability would often have the effect of creating discernable stages in their work.
It is believed that Pudlat began drawing in 1959 or 1960 using mostly graphite on ordinary paper. He had been sculpting before then and possibly stopped carving between the late 1960s and 1974.29 Pentel felt pens were introduced to Cape Dorset in 1967. In response, Pudlat's work went into a stage, Routledge believed, that showed a "tentative approach to colour often with one color dominating."30
Visiting artists were also an influence on Inuit artists. In the mid-1970s Cape Dorset saw many southern printmakers visit and some who stayed.31 Lithographer Wallace Brennan's arrival also had an effect on Pudlat. While he didn't feel at ease in the printshop's setting the process did teach Pudlat to work with an artwork's entire area and to : "open up" his drawings.32
Sometimes marketplace demands and limitations of a medium also had an effect.
In 1974 the artists in Cape Dorset were asked to stop using, for example, felt pens as the colours they created were "unstable and impermanent."33
Another influence was the introduction of acrylic washes in the late 1970s.34 Overall Pudlat's preferred medium was a "combination of acrylic wash and coloured pencils."35
Speak believed that Pudlat's work went through distinct phases.36 These phases were not just the result of external influences but were produced through Pudlat's internal journey as an artist.
In 1961 to 1965 Pudlat worked with graphite on paper. The next phase she saw as transitional i.e., the time period from 1963 to 1969, when he "struggled" with both "imagery and materials."37 A more confident period followed when images such as the airplane, musk-ox, homes and landscapes became prominent in his work. From 1975 to 1980 his work became more "complex" and "intellectual."38 In the last phase of his work Pudlat produced works that were more "abstract."39
By the end of his career Pudlat produced 4,500 drawings and 180 prints as well as several sculptures.40 In 1990 the National Gallery of Canada held a retrospective of Pudlat's drawings. He would be the first northern artist to be accorded such recognition.41
Through his artwork we are able to appreciate the spirit and wry humour that inspired Pudlo Pudlat's life and art.
"I have always fought for life"42 - Pudlo Pudlat
Sources:
1 Dorothy Speak, "Pudlo: Thirty Years of Drawing," IAQ, Fall/Winter, 1990/1991, V.5, No.4, pp.80-84, 2 Maria Nuehlen, IAQ, Spring, 1991, V.6, No.2, p.47
3 www.willockandsaxgallery.com
4 Dorothy Speak, 1990/1991
5 Maria Nuehlen, 1991
6 Marie Routledge in Speak, 1990/1991
7 www.spiritwrestler.com
8 Dorothy Speak, 1990/1991
9 Dorothy Speak, 1990/1991
10 Sandrine Coronat, www.uleth.ca/artgallery/TWAM/vrl/bioPudlo.htm
11 Marie Routledge, 1990, Pudlo: Thirty Years of Drawing, Ottawa: National Gallery of Ottawa
12 www.civilization.ca
13 Jean Blodgett, Grasp Tight the Old Ways, Toronto: Art Gallery of Ontario, 1983
14 Dorothy Speak, 1990/1991
15 Marie Routledge, 1990
16 Dorothy Speak, 1990/1991
17 Dorothy Speak, 1990/1991
18 IAQ, Spring, 1991, V6, No.2 p.60.
19 Maria Nuehlen, 1991
20 www.ccca.ca
21 Marie Routledge, 1990
22 Marie Routledge, 1990
23 Dorothy Speak, 1990/1991
24 Dorothy Speak, 1990/1991
25 Marie Routledge, 1990
26 Marie Routledge, 1990
27 Marie Routledge, 1990
28 Dorothy Speak, 1990/1991
29 Marie Routledge, 1990
30 Marie Routledge, 1990
31 Marie Routledge, 1990
32 Marie Routledge, 1990
33 Marie Routledge, 1990
34 Marie Routledge, 1990
35 www.thecanadianencyclopedia.com
36 Dorothy Speak, 1990/1991
37 Dorothy Speak, 1990/1991
38 Dorothy Speak, 1990/1991
39 Dorothy Speak, 1990/1991
40 www.carleton.ca
41 www.ccca.ca
42 Marie Routledge, 1990
Amadjuak, in what is now Nunavut (formerly part of the Northwest Territories), was Pudlat's birthplace in 1916 on February 4th. The artist passed away on December 28th 1992, in Cape Dorset.
Pudlat's sense of humour, curiosity and philosophical approach to life define Pudlat as much as his innovative art. He was known for having a "keen intelligence and curiosity," as well as for his introspection, and for an insightfulness that he applied not only to his own life but as well to Inuit and non-Inuit culture.2 Other observers have noted his "visual sense, his versatility and innovativeness in subject matter and technique."3 Dorothy Speak believed that "no other Inuit artist can be said to have bridged the old and new so adroitly."4
Maria Muehlen5 described his work as having "fun, irony and wit." His work, she observed, is filled with "layers of meaning." Marie Routledge stated that the artist is unique in his "talent to observe, to compare and to extrapolate."6 He is also described as the most "consistently whimsical of all the Cape Dorset artists."7
Dorothy Speak wrote8:
It may have been this curiosity of Pudlo's to observe worlds beyond his own, and his appetite for knowledge and for new experiences, that have set him apart from other Inuit graphic artists.
Additionally, she observed "his often poignant recollections of the great sorrows in his life enrich our understandings of the vicissitudes of life on the land."9 Sandrine Coronat waxed philosophical when describing the artist and his work10:
[He] went beyond what the eye sees, transcending to an intimate and poetic universe of images of daily life which are maintained and enhanced by deep traditional and cultural understanding and knowledge.
Of his own work Pudlat made the following observations11,12,13:
My brain and pencil seem to go together when I start to draw something in my head.
At times when I draw, I am happy, but sometimes it is very hard. I have been drawing a long time now. I only draw what I think, but sometimes I think the pencil has a brain too.
It is a reflection on Pudlat's character and his "indomitable spirit" that he was able to create such whimsical works despite the extreme hardships in his life.14 There was the loss of children, wives, and friends through illness, hunting accidents, accidental poisoning, and suicide. He once reflected15,16:
I have been through a lot. Today, when people are going through a hard time, they give up. They even commit suicide.
Various health problems introduced Pudlo to life in the south through various hospitalizations.17 This exposure to the south introduced to a different world.
He accepted the south with its essential strangeness and modernity. His ability to incorporate those differences enabled him to become an Inuit pioneer in the "utilization of modern imagery" in his art.18
Maria Muehlen observed that this imagery was more than just straight representation. His work was filled with "irony," "visual punning," as well as a "juxtapos[ition of] contemporary themes with traditional imagery."19,20 Marie Routledge noted that rather than being intimidated or reacting negatively to the culture and environment of the south Pudlat responded with an21:
Openness to experience, this eagerness to know, to understand, to assimilate the unfamiliar into the familiar, that is in a large sense the key to Pudlo's art.
In the mid-1970s the modern world came to Cape Dorset with permanent long distance telephone service, electricity, television, and regular air flights. Marie Routledge recounted a story of Pudlat's first encounter with an airplane.22 The artist was not interested the people leaving Cape Dorset or those debarking, nor was he curious about the goods being delivered. What fascinated Pudlat was the airplane.
Modern transportation and trips to the south meant that not only did his imagery changed but so did his visual representations of what he had seen.
Air travel showed Pudlat an aerial view of his world and changed the way he represented landscapes, animals and people. His representations of animals would become, for example, more "abstract" and "flattened."23 As well, his overhead views of landscapes would have what Dorothy Speak called "a mapmaker's exactitude of detail."24 Pudlat's landscapes, Routledge felt, were more than a "exploration of a geographical reality."25 What concerned Pudlat was a "quest for understanding the greater implications of space within a social context."26
Pudlat had commented27:
I really love making landscapes - the sky and everything... I like the scenery and I really love to draw it.
The art mediums he worked with, such as lithography and acrylics, also changed the way he represented figures, animals and landscapes.28 Unlike artists in the south Inuit artists' experimentation with new mediums depended on both their introduction (i.e., their delivery to the north) as well as their availability. This availability would often have the effect of creating discernable stages in their work.
It is believed that Pudlat began drawing in 1959 or 1960 using mostly graphite on ordinary paper. He had been sculpting before then and possibly stopped carving between the late 1960s and 1974.29 Pentel felt pens were introduced to Cape Dorset in 1967. In response, Pudlat's work went into a stage, Routledge believed, that showed a "tentative approach to colour often with one color dominating."30
Visiting artists were also an influence on Inuit artists. In the mid-1970s Cape Dorset saw many southern printmakers visit and some who stayed.31 Lithographer Wallace Brennan's arrival also had an effect on Pudlat. While he didn't feel at ease in the printshop's setting the process did teach Pudlat to work with an artwork's entire area and to : "open up" his drawings.32
Sometimes marketplace demands and limitations of a medium also had an effect.
In 1974 the artists in Cape Dorset were asked to stop using, for example, felt pens as the colours they created were "unstable and impermanent."33
Another influence was the introduction of acrylic washes in the late 1970s.34 Overall Pudlat's preferred medium was a "combination of acrylic wash and coloured pencils."35
Speak believed that Pudlat's work went through distinct phases.36 These phases were not just the result of external influences but were produced through Pudlat's internal journey as an artist.
In 1961 to 1965 Pudlat worked with graphite on paper. The next phase she saw as transitional i.e., the time period from 1963 to 1969, when he "struggled" with both "imagery and materials."37 A more confident period followed when images such as the airplane, musk-ox, homes and landscapes became prominent in his work. From 1975 to 1980 his work became more "complex" and "intellectual."38 In the last phase of his work Pudlat produced works that were more "abstract."39
By the end of his career Pudlat produced 4,500 drawings and 180 prints as well as several sculptures.40 In 1990 the National Gallery of Canada held a retrospective of Pudlat's drawings. He would be the first northern artist to be accorded such recognition.41
Through his artwork we are able to appreciate the spirit and wry humour that inspired Pudlo Pudlat's life and art.
"I have always fought for life"42 - Pudlo Pudlat
Sources:
1 Dorothy Speak, "Pudlo: Thirty Years of Drawing," IAQ, Fall/Winter, 1990/1991, V.5, No.4, pp.80-84, 2 Maria Nuehlen, IAQ, Spring, 1991, V.6, No.2, p.47
3 www.willockandsaxgallery.com
4 Dorothy Speak, 1990/1991
5 Maria Nuehlen, 1991
6 Marie Routledge in Speak, 1990/1991
7 www.spiritwrestler.com
8 Dorothy Speak, 1990/1991
9 Dorothy Speak, 1990/1991
10 Sandrine Coronat, www.uleth.ca/artgallery/TWAM/vrl/bioPudlo.htm
11 Marie Routledge, 1990, Pudlo: Thirty Years of Drawing, Ottawa: National Gallery of Ottawa
12 www.civilization.ca
13 Jean Blodgett, Grasp Tight the Old Ways, Toronto: Art Gallery of Ontario, 1983
14 Dorothy Speak, 1990/1991
15 Marie Routledge, 1990
16 Dorothy Speak, 1990/1991
17 Dorothy Speak, 1990/1991
18 IAQ, Spring, 1991, V6, No.2 p.60.
19 Maria Nuehlen, 1991
20 www.ccca.ca
21 Marie Routledge, 1990
22 Marie Routledge, 1990
23 Dorothy Speak, 1990/1991
24 Dorothy Speak, 1990/1991
25 Marie Routledge, 1990
26 Marie Routledge, 1990
27 Marie Routledge, 1990
28 Dorothy Speak, 1990/1991
29 Marie Routledge, 1990
30 Marie Routledge, 1990
31 Marie Routledge, 1990
32 Marie Routledge, 1990
33 Marie Routledge, 1990
34 Marie Routledge, 1990
35 www.thecanadianencyclopedia.com
36 Dorothy Speak, 1990/1991
37 Dorothy Speak, 1990/1991
38 Dorothy Speak, 1990/1991
39 Dorothy Speak, 1990/1991
40 www.carleton.ca
41 www.ccca.ca
42 Marie Routledge, 1990
Exhibitions
- 1987 Eskimo Art, Franz Bader Gallery
- A Longing For The Land: The Inuit And Their World, Images of the North
- A New Day Dawning: Early Cape Dorset Prints, University of Michigan
- A Retrospective of Pudlo Pudlat Prints, Canadian Guild of Crafts Quebec
- Aboriginal Rights in Canada, National Library of Canada
- Acrylic Works on Paper, Beckett Gallery
- Alaska Eskimo Dolls/Inuit Prints, Provincial Museum of Alberta, sponsored by the Alaska State Council on the Arts
- Arctic Art, Lippel Gallery, presented at Place Bonaventure
- Arctic Spirit 35 Years of Canadian Inuit Art, Frye Art Museum
- Arctic Vision: Art of the Canadian Inuit, Department of Indian Affairs and Northern Development and Canadian Arctic Producers
- Ars Sacra: Exhibition of Contemporary Christian Art, Saint Mary's University Gallery
- Art Inuit, Presented by l'Iglou Art Esquimau, Douai at Galerie Akenaton
- Art Inuit, Presented by l'Iglou Art Esquimau, Douai at Galerie Montador
- Art Inuit, Presented by l'Iglou Art Esquimau, Douai at Chapelle de la Visitation
- Art Inuit, Presented by l'Iglou Art Esquimau, Douai at Galerie Ombre et Lumiere
- Art Inuit, Presented by l'Iglou Art Esquimau, Douai at Galerie Humbert
- Art Inuit, Presented by l'Iglou Art Esquimau, Douai at La Halle aux Bles
- Art Inuit, Presented by l'Iglou Art Esquimau, Douai at Palais de l'Europe
- Art Inuit, Presented by l'Iglou Art Esquimau, Douai at Le Theatre
- Art Inuit, Presented by l'Iglou Art Esquimau, Douai at Thonon les Bains
- Art Inuit, l'Art des Esquimaux du Canada, Presented by l'Iglou Art Esquimau, Douai at Maison Falleur, Cambrai
- Art Inuit: Autour de la Collection de Cape Dorset 1990, Presented by l'Iglou Art Esquimau, Douai at Centre Culturel Canadien
- Art Inuit: Autour de la Collection de Cape Dorset 1991, Presented by l'Iglou Art Esquimau, Douai at Le Colombier
- Baffin Images, Orca Aart
- Building on Strengths: New Inuit Art from the Collection, Winnipeg Art Gallery
- Building the Collection: The Department of Indian Affairs and Northern Development Gift to the National Gallery of Canada, National Gallery of Canada
- Canadian Eskimo Art: a representative exhibition from the collection of Professor and Mrs. Philip Gray, Fine Arts Gallery, Montana State University
- Canadian Eskimo Lithographs: Third Collection, Presented under the auspices of the Cultural Affairs Division of the Department of External Affairs Canada
- Canadian Prints from the McMaster Art Gallery Collection, McMaster Art Gallery
- Cape Dorset, Winnipeg Art Gallery
- Cape Dorset - A Decade of Eskimo Prints & Recent Sculpture, National Gallery of Canada, in cooperation with the Canadian Eskimo Art Committee
- Cape Dorset - Selected Sculpture from the Collection of the Winnipeg Art Gallery, Winnipeg Art Gallery
- Cape Dorset Engravings, Department of Indian Affairs and Northern Development, circulated by the Art Gallery of Ontario
- Cape Dorset Graphics *61, (annual collection)
- Cape Dorset Graphics *63, (annual collection)
- Cape Dorset Graphics *64/65, (annual collection)
- Cape Dorset Graphics *66, (annual collection)
- Cape Dorset Graphics *67, (annual collection)
- Cape Dorset Graphics *69, (annual collection)
- Cape Dorset Graphics *70, (annual collection)
- Cape Dorset Graphics *72, (annual collection)
- Cape Dorset Graphics *73, (annual collection)
- Cape Dorset Graphics *74, (annual collection)
- Cape Dorset Graphics *75, (annual collection)
- Cape Dorset Graphics *76, (annual collection)
- Cape Dorset Graphics *77, (annual collection)
- Cape Dorset Graphics *78, (annual collection)
- Cape Dorset Graphics *79, (annual collection)
- Cape Dorset Graphics *80, (annual collection)
- Cape Dorset Graphics *81, (annual collection)
- Cape Dorset Graphics *82, (annual collection)
- Cape Dorset Graphics *83, (annual collection)
- Cape Dorset Graphics *84, (annual collection)
- Cape Dorset Graphics *85, (annual collection)
- Cape Dorset Graphics *86, (annual collection)
- Cape Dorset Graphics *87, (annual collection)
- Cape Dorset Graphics *89, (annual collection)
- Cape Dorset Graphics *90, (annual collection)
- Cape Dorset Graphics *91, (annual collection)
- Cape Dorset Graphics *92, (annual collection)
- Cape Dorset Graphics *93, (annual collection)
- Cape Dorset Impressions: Inuit Stonecut and Stencil Print Techniques, National Gallery of Canada
- Cape Dorset Printmaking 1959-1989, McMichael Canadian Collection
- Cape Dorset Prints: Twenty-Five Years, National Gallery of Canada
- Cape Dorset Revisited, McMichael Canadian Art Collection
- Cape Dorset Revisited - a collection of previously unreleased prints, exhibited at selected commercial galleries, organized by, West Baffin Eskimo Co-op
- Celebration 1988, Petro-Canada Exhibition Gallery
- Collecting Inuit Art - Shifting Perceptions, Agnes Etherington Art Centre, Queen's University
- Contemporary Art: Cape Dorset, Canadian Guild of Crafts Quebec
- Contemporary Canadian Eskimo Art, Gimpel Fils
- Contemporary Indian and Inuit Art of Canada, Department of Indian Affairs and Northern Development, Ottawa, presented at the General Assembly Building, United Nations
- Contemporary Inuit Art, National Gallery of Canada
- Contemporary Inuit Drawings, Macdonald Stewart Art Centre
- Contemporary Inuit Drawings, Muscarelle Museum of Art College of William and Mary
- Creative Flight, Surrey Art Gallery
- Demons and Spirits and those who wrestled with them, The Arctic Circle
- Die Kunst aus der Arktis, Department of Indian and Northern Affairs Canada, Ottawa, presented by Commerzbank
- Drawings by Pudlo of Cape Dorset, The Innuit Gallery of Eskimo Art
- Drawings of the 1960s from Cape Dorset, Feheley Fine Arts in association with Gimpel Fils, London, England
- Each Depends on the Other, Houston North Gallery
- Eskimo Carvings and Prints from the Collection of York University, Art Gallery of York University
- Eskimo Drawings Cape Dorset, Isaacs Gallery
- Eskimo Fantastic Art, Gallery 111, School of Art, University of Manitoba
- Eskimo Games: Graphics and Sculpture/ Giuochi Eschimesi: grafiche e sculture, National Gallery of Modern Art
- Eskimo Narrative, Winnipeg Art Gallery
- Eskimo Sculpture, Eskimo Prints and Paintings of Norval Morrisseau, Art Association of Newport
- Estampes Inuit, Presented by l'Iglou Art Esquimau, Douai at Galerie Christiane Flament
- Estampes Inuit: Trois Graveurs de Cape Dorset, Presented by l'Iglou Art Esquimau, Douai at Galerie Musepict
- Exhibition of Inuit Art, Harbourfront Centre organized by the Macdonald Stewart Art Centre, Guelph
- From Drawing to Print: Perceptions and Process in Cape Dorset Art, Glenbow Museum
- Glaciopolis: Art Inuit, Presented by l'Iglou Art Esquimau, Douai at Maison de Pesey
- Graphic Art by Eskimos of Canada: First Collection, Cultural Affairs Division, Department of External Affairs, Canada
- Graphic Art by Eskimos of Canada: Second Collection, Cultural Affairs Division, Department of External Affairs, Canada
- Grasp Tight the Old Ways: Selections from the Klamer Family Collection of Inuit Art, Art Gallery of Ontario
- Hunter of the Sacred Game: Traditional Life on the Land, Organized by the Arts and Learning Services Foundation
- Im Schatten der Sonne: Zeitgenossische Kunst der Indianer und Eskimos in Kanada/In the Shadow of the Sun: Contemporary Indian and Inuit Art in Canada, Canadian Museum of Civilization
- Imaak Takujavut: The way we see it Paintings from Cape Dorset, McMichael Canadian Art Collection
- Images of the Far North, Studio Art Gallery, State University of New York
- Images of the Inuit: from the Simon Fraser Collection, Simon Fraser Gallery, Simon Fraser University
- Immaginario Inuit Arte e cultura degli esquimesi canadesi, Galleria d'Arte Moderna e Contemporanea
- In Cape Dorset We Do It This Way: Three Decades of Inuit Printmaking, McMichael Canadian Art Collection
- In Celebration, Canadian Guild of Crafts Quebec
- Inoonoot Eskima: Grafik och Skulptur fran Cape Dorset och Povungnituk, Konstframjandet
- Inuit Art at Rideau Hall, Presented by Indian Affairs and Northern Development
- Inuit Art from the Art Centre Collection, Macdonald Stewart Art Centre
- Inuit Art From the Glenbow Collection, Glenbow Museum
- Inuit Art in the 1970s, Department of Indian Affairs and Northern Development, and the Agnes Etherington Art Centre
- Inuit Art: A Selection of Inuit Art from the Collection of the National Museum of Man, Ottawa, and the Rothmans Permanent Collection of Inuit Sculpture, Canada, National Museum of Man, Ottawa and Rothmans of Pall Mall Canada Ltd.
- Inuit Art: Drawings and Recent Sculpture, National Gallery of Canada
- Inuit Art: from the collection of Maurice Yacowar, Collector's Gallery
- Inuit Carvings and Graphic Works Selected from the Williamson and Mendel Art Gallery Collections, Gallery 1
- Inuit Drawings, Inuit Gallery of Vancouver
- Inuit Games and Contests: The Clifford E. Lee Collection of Prints, University of Alberta
- Inuit Graphic Art from Indian & Northern Affairs Canada, Winnipeg Art Gallery
- Inuit Graphics and Drawings from 1959-1990, Arctic Artistry
- Inuit Graphics from the Past, Arctic Artistry
- Inuit Graphics Through the Year: Rare Prints from the Arctic, Arctic Artistry
- Inuit Masterworks: Selections from the Collection of Indian and Northern Affairs Canada, McMichael Canadian Collection
- Inuit Prints, University of New Brunswick Long Gallery, St. John Campus
- Inuit Traditions in Graphics: 1961-1987, Arctic Artistry
- Kanuitpit? Kunst und Kulturen der Eskimo: Eine Auswahl aus den Museumssammlungen, Staatliches Museum fur Volkerkunde Munchen
- Keeping Our Stories Alive: An Exhibition of the Art and Crafts from Dene and Inuit of Canada, Institute of American Indian Arts Museum
- Kunst aus der Arktis, Volkerkundmuseum der Universitat Zurich
- Kunst van de Inuit Eskimo's, Gemeentelijk Kunstcentrum Huis Hellemans
- La deesse inuite de la mer/The Inuit Sea Goddess, Musee des beaux-arts de Montreal
- Les Eskimos/De Eskimo's, Studio 44 - Passage 44
- Looking South, Winnipeg Art Gallery
- Muskox-Umingmak, Houston North Gallery
- Night Spirits: Cape Dorset 1960-1965, Winnipeg Art Gallery
- Noel au Chateau - Art inuit de la collection Macdonald Stewart Art Centre, Macdonald Stewart Art Centre Guelph, Ontario presented at Chateau Dufresne
- Northern Exposure: Inuit Images of Travel, Burnaby Art Gallery
- On the Land, The Arctic Circle
- Oonark, Pudlo, Kananginak, Winnipeg Art Gallery
- Polar Vision: Canadian Eskimo Graphics, Jerusalem Artists' House Museum
- Premiere Exhibit of 1986, Page's Exclusive Eskimo Art
- Prints by Pudlo Pudlat of Cape Dorset, Gallery Indigena
- Pudlo, Department of Indian Affairs and Northern Development
- Pudlo Acrylics, Fleet Galleries
- Pudlo Prints, An exhibition organized in conjunction with Habitat: United Nations Conference on Human Settlements, Department of Indian Affairs and Northern Development
- Pudlo Pudlat, Confederation Centre Art Gallery and Museum
- Pudlo Pudlat, Inuit Galerie
- Pudlo Pudlat, Gallery Indigena
- Pudlo Pudlat - Acrylic Paintings, Canadian Guild of Crafts Quebec
- Pudlo Pudlat - Arctic Landscapes, Theo Waddington
- Pudlo Pudlat - Ten Oversize Works on Paper, Theo Waddington
- Pudlo Pudlat aus Cape Dorset, Inuit Galerie
- Pudlo Pudlat Drawings 1959-1990, Ufundi Gallery
- Pudlo Pudlat Retrospective, Canadian Guild of Crafts Quebec
- Pudlo Pudlat: A Meeting of Cultures, McMichael Canadian Art Collection
- Pudlo Pudlat: New Drawings, The Innuit Gallery of Eskimo Art
- Pudlo: A Celebration, National Gallery of Canada (A modified version of the exhibition organized by the Gallery in 1990 that will tour the North)
- Pudlo: Acrylic Paintings, The Innuit Gallery of Eskimo Art
- Pudlo: Original Drawings, Albers Gallery
- Pudlo: Original Drawings, Albers Gallery
- Pudlo: Thirty Years of Drawing, National Gallery of Canada
- Return of the Birds, Inuit Gallery of Vancouver
- Return to Origins, The Arctic Circle
- Return to Origins II, The Arctic Circle
- Sculpture/Inuit: Masterworks of the Canadian Arctic, Canadian Eskimo Arts Council
- Shamans and Spirits: Myths and Medical Symbolism in Eskimo Art, Canadian Arctic Producers and the National Museum of Man
- Shamans and Spirits: Myths and Medical Symbolism in Eskimo Art, Arts and Learning Services Foundation (this is a duplicate of the C.A.P. and National Museum of Man exhibition of 1976-1981)
- Share the Vision Philadelphians Collect Inuit Art, Art Space Gallery
- Sojourns to Nunavut: Contemporary Inuit Art from Canada, at Bunkamura Art Gallery, presented by the University of British Columbia Museum of Anthropology and The McMichael Canadian Art Collection
- Stones, Bones, Cloth, and Paper: Inuit Art in Edmonton Collections, Edmonton Art Gallery
- The Ancestors/Links Between Worlds, Minnesota Museum of Art
- The Arctic/L'Artique, UNESCO
- The Art of the Eskimo, Simon Fraser Gallery, Simon Fraser University
- The Cape Dorset Print, Presented at Rideau Hall by Indian and Northern Affairs Canada
- The Coming and Going of the Shaman: Eskimo Shamanism and Art, Winnipeg Art Gallery
- The Contemporary Eskimo Prints and Sculpture, Amon Carter Museum of Western Art
- The Hunting Existence: Men and Animals Depicted in Sculpture and Prints, Arctic Artistry
- The Inuit Amautik: I Like My Hood To Be Full, Winnipeg Art Gallery
- The Inuit Print/L'estampe inuit, Department of Indian Affairs and Northern Development and the National Museum of Man
- The Inuit Sea Goddess, Surrey Art Gallery, (organized to complement the Musee des beaux-arts de Montreal exhibit of the same name)
- The Jacqui and Morris Shumiatcher Collection of Inuit Art, Norman Mackenzie Art Gallery, University of Regina
- The Klamer Family Collection of Inuit Art from the Art Gallery of Ontario, University of Guelph
- The Last and First Eskimos, Museum of Science and History
- The Lindsay and Swartz Collections: New Acquisitions, Winnipeg Art Gallery
- The Murray and Marguerite Vaughan Inuit Print Collection, Beaverbrook Art Gallery
- The Path of Pudlo, Arctic Artistry
- The Spirit of the Land, The Koffler Gallery
- The World Around Me, University of Lethbridge Art Gallery
- The Zazelenchuk Collection of Eskimo Art, Winnipeg Art Gallery
- Transformation, The Arctic Circle
- Ulu/Inua: Form and Fantasy in Eskimo Art, Casino Gallery, Ravinia Park
- Umingmak-Muskox, Houston North
- Uumajut: Animal Imagery in Inuit Art, Winnipeg Art Gallery
- We Lived by Animals/Nous Vivions des Animaux, Department of Indian Affairs and Northern Development in cooperation with the Department of External Affairs
- Works from the McCuaig Collection in the Laurentian University Museum and Arts Centre, Laurentian University Museum and Arts Centre
- Works on Paper from the Permanent Collection of Inuit Art, Canadian Guild of Crafts Quebec
- Works on Paper from the Permanent Collection of Inuit Art, Canadian Guild of Craft Quebec
Collections
- Agnes Etherington Art Centre, Queen's University, Kingston
- Amon Carter Museum of Western Art, Fort Worth
- Amway Environmental Foundation Collection, Ada
- Anchorage Museum of History and Art, Anchorage
- Art Gallery of Greater Victoria, Victoria
- Art Gallery of Hamilton, Hamilton
- Art Gallery of Nova Scotia, Halifax
- Art Gallery of Windsor, Windsor
- Art Gallery of York University, Downsview
- Beaverbrook Art Gallery, Fredericton
- Canada Council Art Bank, Ottawa
- Canadian Guild of Crafts Quebec, Montreal
- Canadian Museum of Civilization, Hull
- CIBC Collection, Toronto
- Clifford E. Lee Collection, University of Alberta, Edmonton
- Confederation Centre of the Arts, Charlottetown
- Dennos Museum Center, Northwestern Michigan College, Traverse City
- Glenbow Museum, Calgary
- John and Mary Robertson Collection, Agnes Etherington Art Centre, Kingston
- Klamer Family Collection, Art Gallery of Ontario, Toronto
- Laurentian University Museum and Arts Centre, Sudbury
- London Regional Art Gallery, London
- Macdonald Stewart Art Centre, Guelph
- Macmillan-Bloedel Limited, Vancouver
- McMaster University Art Gallery, Hamilton
- McMichael Canadian Art Collection, Kleinburg
- Mendel Art Gallery, Saskatoon
- Musee des beaux-arts de Montreal, Montreal
- Museum of Anthropology, University of British Columbia, Vancouver
- Museum of Modern Art, New York
- National Gallery of Canada, Ottawa
- Owens Art Gallery, Mount Allison University, Sackville
- Prince of Wales Northern Heritage Centre, Yellowknife
- Province of British Columbia, Victoria
- Royal Ontario Museum, Toronto
- Simon Fraser Gallery, Simon Fraser University, Burnaby
- Surrey Art Gallery, Surrey
- Teleglobe Canada, Montreal
- Toronto-Dominion Bank Collection, Toronto
- University of Alberta, Edmonton
- University of Lethbridge Art Gallery, Lethbridge
- University of Michigan Museum of Art, Ann Arbor
- University of New Brunswick, Fredericton
- Vancouver Art Gallery, Vancouver
- Winnipeg Art Gallery, Winnipeg
- York University, Toronto
Exhibitions
1987 Eskimo Art
Franz Bader Gallery
A Longing For The Land: The Inuit And Their World
Images of the North
A New Day Dawning: Early Cape Dorset Prints
University of Michigan
A Retrospective of Pudlo Pudlat Prints
Canadian Guild of Crafts Quebec
Aboriginal Rights in Canada
National Library of Canada
Acrylic Works on Paper
Beckett Gallery
Alaska Eskimo Dolls/Inuit Prints
Provincial Museum of Alberta, sponsored by the Alaska State Council on the Arts
Arctic Art
Lippel Gallery, presented at Place Bonaventure
Arctic Spirit 35 Years of Canadian Inuit Art
Frye Art Museum
Arctic Vision: Art of the Canadian Inuit
Department of Indian Affairs and Northern Development and Canadian Arctic Producers
Ars Sacra: Exhibition of Contemporary Christian Art
Saint Mary's University Gallery
Art Inuit
Presented by l'Iglou Art Esquimau, Douai at Galerie Akenaton
Art Inuit
Presented by l'Iglou Art Esquimau, Douai at Galerie Montador
Art Inuit
Presented by l'Iglou Art Esquimau, Douai at Chapelle de la Visitation
Art Inuit
Presented by l'Iglou Art Esquimau, Douai at Galerie Ombre et Lumiere
Art Inuit
Presented by l'Iglou Art Esquimau, Douai at Galerie Humbert
Art Inuit
Presented by l'Iglou Art Esquimau, Douai at La Halle aux Bles
Art Inuit
Presented by l'Iglou Art Esquimau, Douai at Palais de l'Europe
Art Inuit
Presented by l'Iglou Art Esquimau, Douai at Le Theatre
Art Inuit
Presented by l'Iglou Art Esquimau, Douai at Thonon les Bains
Art Inuit, l'Art des Esquimaux du Canada
Presented by l'Iglou Art Esquimau, Douai at Maison Falleur, Cambrai
Art Inuit: Autour de la Collection de Cape Dorset 1990
Presented by l'Iglou Art Esquimau, Douai at Centre Culturel Canadien
Art Inuit: Autour de la Collection de Cape Dorset 1991
Presented by l'Iglou Art Esquimau, Douai at Le Colombier
Baffin Images
Orca Aart
Building on Strengths: New Inuit Art from the Collection
Winnipeg Art Gallery
Building the Collection: The Department of Indian Affairs and Northern Development Gift to the National Gallery of Canada
National Gallery of Canada
Canadian Eskimo Art: a representative exhibition from the collection of Professor and Mrs. Philip Gray
Fine Arts Gallery, Montana State University
Canadian Eskimo Lithographs: Third Collection
Presented under the auspices of the Cultural Affairs Division of the Department of External Affairs Canada
Canadian Prints from the McMaster Art Gallery Collection
McMaster Art Gallery
Cape Dorset
Winnipeg Art Gallery
Cape Dorset - A Decade of Eskimo Prints & Recent Sculpture
National Gallery of Canada, in cooperation with the Canadian Eskimo Art Committee
Cape Dorset - Selected Sculpture from the Collection of the Winnipeg Art Gallery
Winnipeg Art Gallery
Cape Dorset Engravings
Department of Indian Affairs and Northern Development, circulated by the Art Gallery of Ontario
Cape Dorset Graphics *61
(annual collection)
Cape Dorset Graphics *63
(annual collection)
Cape Dorset Graphics *64/65
(annual collection)
Cape Dorset Graphics *66
(annual collection)
Cape Dorset Graphics *67
(annual collection)
Cape Dorset Graphics *69
(annual collection)
Cape Dorset Graphics *70
(annual collection)
Cape Dorset Graphics *72
(annual collection)
Cape Dorset Graphics *73
(annual collection)
Cape Dorset Graphics *74
(annual collection)
Cape Dorset Graphics *75
(annual collection)
Cape Dorset Graphics *76
(annual collection)
Cape Dorset Graphics *77
(annual collection)
Cape Dorset Graphics *78
(annual collection)
Cape Dorset Graphics *79
(annual collection)
Cape Dorset Graphics *80
(annual collection)
Cape Dorset Graphics *81
(annual collection)
Cape Dorset Graphics *82
(annual collection)
Cape Dorset Graphics *83
(annual collection)
Cape Dorset Graphics *84
(annual collection)
Cape Dorset Graphics *85
(annual collection)
Cape Dorset Graphics *86
(annual collection)
Cape Dorset Graphics *87
(annual collection)
Cape Dorset Graphics *89
(annual collection)
Cape Dorset Graphics *90
(annual collection)
Cape Dorset Graphics *91
(annual collection)
Cape Dorset Graphics *92
(annual collection)
Cape Dorset Graphics *93
(annual collection)
Cape Dorset Impressions: Inuit Stonecut and Stencil Print Techniques
National Gallery of Canada
Cape Dorset Printmaking 1959-1989
McMichael Canadian Collection
Cape Dorset Prints: Twenty-Five Years
National Gallery of Canada
Cape Dorset Revisited
McMichael Canadian Art Collection
Cape Dorset Revisited - a collection of previously unreleased prints, exhibited at selected commercial galleries, organized by
West Baffin Eskimo Co-op
Celebration 1988
Petro-Canada Exhibition Gallery
Collecting Inuit Art - Shifting Perceptions
Agnes Etherington Art Centre, Queen's University
Contemporary Art: Cape Dorset
Canadian Guild of Crafts Quebec
Contemporary Canadian Eskimo Art
Gimpel Fils
Contemporary Indian and Inuit Art of Canada
Department of Indian Affairs and Northern Development, Ottawa, presented at the General Assembly Building, United Nations
Contemporary Inuit Art
National Gallery of Canada
Contemporary Inuit Drawings
Macdonald Stewart Art Centre
Contemporary Inuit Drawings
Muscarelle Museum of Art College of William and Mary
Creative Flight
Surrey Art Gallery
Demons and Spirits and those who wrestled with them
The Arctic Circle
Die Kunst aus der Arktis
Department of Indian and Northern Affairs Canada, Ottawa, presented by Commerzbank
Drawings by Pudlo of Cape Dorset
The Innuit Gallery of Eskimo Art
Drawings of the 1960s from Cape Dorset
Feheley Fine Arts in association with Gimpel Fils, London, England
Each Depends on the Other
Houston North Gallery
Eskimo Carvings and Prints from the Collection of York University
Art Gallery of York University
Eskimo Drawings Cape Dorset
Isaacs Gallery
Eskimo Fantastic Art
Gallery 111, School of Art, University of Manitoba
Eskimo Games: Graphics and Sculpture/ Giuochi Eschimesi: grafiche e sculture
National Gallery of Modern Art
Eskimo Narrative
Winnipeg Art Gallery
Eskimo Sculpture, Eskimo Prints and Paintings of Norval Morrisseau
Art Association of Newport
Estampes Inuit
Presented by l'Iglou Art Esquimau, Douai at Galerie Christiane Flament
Estampes Inuit: Trois Graveurs de Cape Dorset
Presented by l'Iglou Art Esquimau, Douai at Galerie Musepict
Exhibition of Inuit Art
Harbourfront Centre organized by the Macdonald Stewart Art Centre, Guelph
From Drawing to Print: Perceptions and Process in Cape Dorset Art
Glenbow Museum
Glaciopolis: Art Inuit
Presented by l'Iglou Art Esquimau, Douai at Maison de Pesey
Graphic Art by Eskimos of Canada: First Collection
Cultural Affairs Division, Department of External Affairs, Canada
Graphic Art by Eskimos of Canada: Second Collection
Cultural Affairs Division, Department of External Affairs, Canada
Grasp Tight the Old Ways: Selections from the Klamer Family Collection of Inuit Art
Art Gallery of Ontario
Hunter of the Sacred Game: Traditional Life on the Land
Organized by the Arts and Learning Services Foundation
Im Schatten der Sonne: Zeitgenossische Kunst der Indianer und Eskimos in Kanada/In the Shadow of the Sun: Contemporary Indian and Inuit Art in Canada
Canadian Museum of Civilization
Imaak Takujavut: The way we see it Paintings from Cape Dorset
McMichael Canadian Art Collection
Images of the Far North
Studio Art Gallery, State University of New York
Images of the Inuit: from the Simon Fraser Collection
Simon Fraser Gallery, Simon Fraser University
Immaginario Inuit Arte e cultura degli esquimesi canadesi
Galleria d'Arte Moderna e Contemporanea
In Cape Dorset We Do It This Way: Three Decades of Inuit Printmaking
McMichael Canadian Art Collection
In Celebration
Canadian Guild of Crafts Quebec
Inoonoot Eskima: Grafik och Skulptur fran Cape Dorset och Povungnituk
Konstframjandet
Inuit Art at Rideau Hall
Presented by Indian Affairs and Northern Development
Inuit Art from the Art Centre Collection
Macdonald Stewart Art Centre
Inuit Art From the Glenbow Collection
Glenbow Museum
Inuit Art in the 1970s
Department of Indian Affairs and Northern Development, and the Agnes Etherington Art Centre
Inuit Art: A Selection of Inuit Art from the Collection of the National Museum of Man, Ottawa, and the Rothmans Permanent Collection of Inuit Sculpture, Canada
National Museum of Man, Ottawa and Rothmans of Pall Mall Canada Ltd.
Inuit Art: Drawings and Recent Sculpture
National Gallery of Canada
Inuit Art: from the collection of Maurice Yacowar
Collector's Gallery
Inuit Carvings and Graphic Works Selected from the Williamson and Mendel Art Gallery Collections
Gallery 1
Inuit Drawings
Inuit Gallery of Vancouver
Inuit Games and Contests: The Clifford E. Lee Collection of Prints
University of Alberta
Inuit Graphic Art from Indian & Northern Affairs Canada
Winnipeg Art Gallery
Inuit Graphics and Drawings from 1959-1990
Arctic Artistry
Inuit Graphics from the Past
Arctic Artistry
Inuit Graphics Through the Year: Rare Prints from the Arctic
Arctic Artistry
Inuit Masterworks: Selections from the Collection of Indian and Northern Affairs Canada
McMichael Canadian Collection
Inuit Prints
University of New Brunswick Long Gallery, St. John Campus
Inuit Traditions in Graphics: 1961-1987
Arctic Artistry
Kanuitpit? Kunst und Kulturen der Eskimo: Eine Auswahl aus den Museumssammlungen
Staatliches Museum fur Volkerkunde Munchen
Keeping Our Stories Alive: An Exhibition of the Art and Crafts from Dene and Inuit of Canada
Institute of American Indian Arts Museum
Kunst aus der Arktis
Volkerkundmuseum der Universitat Zurich
Kunst van de Inuit Eskimo's
Gemeentelijk Kunstcentrum Huis Hellemans
La deesse inuite de la mer/The Inuit Sea Goddess
Musee des beaux-arts de Montreal
Les Eskimos/De Eskimo's
Studio 44 - Passage 44
Looking South
Winnipeg Art Gallery
Muskox-Umingmak
Houston North Gallery
Night Spirits: Cape Dorset 1960-1965
Winnipeg Art Gallery
Noel au Chateau - Art inuit de la collection Macdonald Stewart Art Centre
Macdonald Stewart Art Centre Guelph, Ontario presented at Chateau Dufresne
Northern Exposure: Inuit Images of Travel
Burnaby Art Gallery
On the Land
The Arctic Circle
Oonark, Pudlo, Kananginak
Winnipeg Art Gallery
Polar Vision: Canadian Eskimo Graphics
Jerusalem Artists' House Museum
Premiere Exhibit of 1986
Page's Exclusive Eskimo Art
Prints by Pudlo Pudlat of Cape Dorset
Gallery Indigena
Pudlo
Department of Indian Affairs and Northern Development
Pudlo Acrylics
Fleet Galleries
Pudlo Prints
An exhibition organized in conjunction with Habitat: United Nations Conference on Human Settlements, Department of Indian Affairs and Northern Development
Pudlo Pudlat
Confederation Centre Art Gallery and Museum
Pudlo Pudlat
Inuit Galerie
Pudlo Pudlat
Gallery Indigena
Pudlo Pudlat - Acrylic Paintings
Canadian Guild of Crafts Quebec
Pudlo Pudlat - Arctic Landscapes
Theo Waddington
Pudlo Pudlat - Ten Oversize Works on Paper
Theo Waddington
Pudlo Pudlat aus Cape Dorset
Inuit Galerie
Pudlo Pudlat Drawings 1959-1990
Ufundi Gallery
Pudlo Pudlat Retrospective
Canadian Guild of Crafts Quebec
Pudlo Pudlat: A Meeting of Cultures
McMichael Canadian Art Collection
Pudlo Pudlat: New Drawings
The Innuit Gallery of Eskimo Art
Pudlo: A Celebration
National Gallery of Canada (A modified version of the exhibition organized by the Gallery in 1990 that will tour the North)
Pudlo: Acrylic Paintings
The Innuit Gallery of Eskimo Art
Pudlo: Original Drawings
Albers Gallery
Pudlo: Original Drawings
Albers Gallery
Pudlo: Thirty Years of Drawing
National Gallery of Canada
Return of the Birds
Inuit Gallery of Vancouver
Return to Origins
The Arctic Circle
Return to Origins II
The Arctic Circle
Sculpture/Inuit: Masterworks of the Canadian Arctic
Canadian Eskimo Arts Council
Shamans and Spirits: Myths and Medical Symbolism in Eskimo Art
Canadian Arctic Producers and the National Museum of Man
Shamans and Spirits: Myths and Medical Symbolism in Eskimo Art
Arts and Learning Services Foundation (this is a duplicate of the C.A.P. and National Museum of Man exhibition of 1976-1981)
Share the Vision Philadelphians Collect Inuit Art
Art Space Gallery
Sojourns to Nunavut: Contemporary Inuit Art from Canada
at Bunkamura Art Gallery, presented by the University of British Columbia Museum of Anthropology and The McMichael Canadian Art Collection
Stones, Bones, Cloth, and Paper: Inuit Art in Edmonton Collections
Edmonton Art Gallery
The Ancestors/Links Between Worlds
Minnesota Museum of Art
The Arctic/L'Artique
UNESCO
The Art of the Eskimo
Simon Fraser Gallery, Simon Fraser University
The Cape Dorset Print
Presented at Rideau Hall by Indian and Northern Affairs Canada
The Coming and Going of the Shaman: Eskimo Shamanism and Art
Winnipeg Art Gallery
The Contemporary Eskimo Prints and Sculpture
Amon Carter Museum of Western Art
The Hunting Existence: Men and Animals Depicted in Sculpture and Prints
Arctic Artistry
The Inuit Amautik: I Like My Hood To Be Full
Winnipeg Art Gallery
The Inuit Print/L'estampe inuit
Department of Indian Affairs and Northern Development and the National Museum of Man
The Inuit Sea Goddess
Surrey Art Gallery, (organized to complement the Musee des beaux-arts de Montreal exhibit of the same name)
The Jacqui and Morris Shumiatcher Collection of Inuit Art
Norman Mackenzie Art Gallery, University of Regina
The Klamer Family Collection of Inuit Art from the Art Gallery of Ontario
University of Guelph
The Last and First Eskimos
Museum of Science and History
The Lindsay and Swartz Collections: New Acquisitions
Winnipeg Art Gallery
The Murray and Marguerite Vaughan Inuit Print Collection
Beaverbrook Art Gallery
The Path of Pudlo
Arctic Artistry
The Spirit of the Land
The Koffler Gallery
The World Around Me
University of Lethbridge Art Gallery
The Zazelenchuk Collection of Eskimo Art
Winnipeg Art Gallery
Transformation
The Arctic Circle
Ulu/Inua: Form and Fantasy in Eskimo Art
Casino Gallery, Ravinia Park
Umingmak-Muskox
Houston North
Uumajut: Animal Imagery in Inuit Art
Winnipeg Art Gallery
We Lived by Animals/Nous Vivions des Animaux
Department of Indian Affairs and Northern Development in cooperation with the Department of External Affairs
Works from the McCuaig Collection in the Laurentian University Museum and Arts Centre
Laurentian University Museum and Arts Centre
Works on Paper from the Permanent Collection of Inuit Art
Canadian Guild of Crafts Quebec
Works on Paper from the Permanent Collection of Inuit Art
Canadian Guild of Craft Quebec
Public Collections
Agnes Etherington Art Centre, Queen's University
Kingston
Amon Carter Museum of Western Art
Fort Worth
Amway Environmental Foundation Collection
Ada
Anchorage Museum of History and Art
Anchorage
Art Gallery of Greater Victoria
Victoria
Art Gallery of Hamilton
Hamilton
Art Gallery of Nova Scotia
Halifax
Art Gallery of Windsor
Windsor
Art Gallery of York University
Downsview
Beaverbrook Art Gallery
Fredericton
Canada Council Art Bank
Ottawa
Canadian Guild of Crafts Quebec
Montreal
Canadian Museum of Civilization
Hull
CIBC Collection
Toronto
Clifford E. Lee Collection, University of Alberta
Edmonton
Confederation Centre of the Arts
Charlottetown
Dennos Museum Center, Northwestern Michigan College
Traverse City
Glenbow Museum
Calgary
John and Mary Robertson Collection, Agnes Etherington Art Centre
Kingston
Klamer Family Collection, Art Gallery of Ontario
Toronto
Laurentian University Museum and Arts Centre
Sudbury
London Regional Art Gallery
London
Macdonald Stewart Art Centre
Guelph
Macmillan-Bloedel Limited
Vancouver
McMaster University Art Gallery
Hamilton
McMichael Canadian Art Collection
Kleinburg
Mendel Art Gallery
Saskatoon
Musee des beaux-arts de Montreal
Montreal
Museum of Anthropology, University of British Columbia
Vancouver
Museum of Modern Art
New York
National Gallery of Canada
Ottawa
Owens Art Gallery, Mount Allison University
Sackville
Prince of Wales Northern Heritage Centre
Yellowknife
Province of British Columbia
Victoria
Royal Ontario Museum
Toronto
Simon Fraser Gallery, Simon Fraser University
Burnaby
Surrey Art Gallery
Surrey
Teleglobe Canada
Montreal
Toronto-Dominion Bank Collection
Toronto
University of Alberta
Edmonton
University of Lethbridge Art Gallery
Lethbridge
University of Michigan Museum of Art
Ann Arbor
University of New Brunswick
Fredericton
Vancouver Art Gallery
Vancouver
Winnipeg Art Gallery
Winnipeg
York University
Toronto
Artwork
| Title | Last Sold At Auction | |
|---|---|---|
| PUNGNIALUK | 2007-11 (November 2007) | |
| TWO LOONS AT SEA | 2007-11 (November 2007) | |
| "IGLOO BUILDERS" AND "WALRUS HUNTER" | 2025-06 (June 2025) | |
| AERIAL MIGRATION | 2019-12 (December 2019) | |
| AERIAL PORTAGE | 2010-08 (August 2010) | |
| AEROPLANE | 2018-11 (November 2018) | |
| AGGRESSIVE STANCE | 2016-03 (March 2016) | |
| AIRPLANE OVER ICE CAP | 2019-11 (November 2019) | |
| ANIMAL CHASING HUNTERS WITHOUT WEAPONS | 2013-11 (November 2013) | |
| ANIMAL WHALERS I | 2012-11 (November 2012) | |
| ANIMAL WHALERS II | 2018-05 (May 2018) | |
| ARCTIC ALLEGORY | 2009-10 (October 2009) | |
| ARCTIC WATERFALL | 2013-06 (June 2013) | |
| ARRIVAL OF THE PROPHET | 2008-10 (October 2008) | |
| AVINGALUK (THE BIG LEMMING) | 2011-05 (May 2011) | |
| BIRD | 2011-01 (January 2011) | |
| BIRD OF AUTUMN | 2013-06 (June 2013) | |
| BIRD OF EARLY DAWN | 2021-06 (June 2021) | |
| BIRD OF WINTER DARKNESS | 2012-11 (November 2012) | |
| BIRD ON THE LAND | 2021-06 (June 2021) | |
| BLUE MUSKOX | 2021-06 (June 2021) | |
| CARIBOU CHASED BY WOLF | 2014-06 (June 2014) | |
| CARIBOU IN WINTER LIGHT | 2019-11 (November 2019) | |
| CARIBOU SPIRITS ASCENDING | 2013-09 (September 2013) | |
| CARIBOU TENT | 2020-08 (August 2020) | |
| CHILDREN ON KOMATIK | 2020-01 (January 2020) | |
| COMPOSITION | 2013-11 (November 2013) | |
| CONFRONTATION | 2021-06 (June 2021) | |
| DEPARTING FROM CAPE DORSET | 2013-05 (May 2013) | |
| DREAM OF THE BEAR | 2019-06 (June 2019) | |
| EAGLE CARRYING MAN | 2012-11 (November 2012) | |
| ENTWINED BIRDS | 2019-12 (December 2019) | |
| ESIGAJUAK | 2007-09 (September 2007) | |
| ESKIMO WOMAN WITH ULU | 2019-05 (May 2019) | |
| FAMILY OF BIRDS | 2019-12 (December 2019) | |
| FAMILY OF OWLS | 2013-11 (November 2013) | |
| FANTASTIC KINGALAQ | 2019-04 (April 2019) | |
| FESTIVAL OF THE LOON | 2020-03 (March 2020) | |
| FISH & LOONS | 2008-05 (May 2008) | |
| FISH AND GULL/ UNTITLED (SEA CREATURES AND BIRD) | 2019-11 (November 2019) | |
| FISH AND SPEAR | 2013-05 (May 2013) | |
| FISH WITH GULLS | 2015-11 (November 2015) | |
| FISHERMAN | 2017-02 (February 2017) | |
| FISHING | 2021-03 (March 2021) | |
| FLIGHT NORTH | 2021-03 (March 2021) | |
| FOX IN CAMP | 2014-01 (January 2014) | |
| GATHERING MOSS FOR NEST | 2019-06 (June 2019) | |
| GATHERING MOSS FOR THE NEST | 2020-03 (March 2020) | |
| GOOSE | 2013-11 (November 2013) | |
| GREY BIRD | 2019-06 (June 2019) | |
| HARPOONS AND SEALS | 2021-03 (March 2021) | |
| HUNTER WITH HEAVY LOAD | 2021-06 (June 2021) | |
| HUNTER’S IGLOO | 2010-01 (January 2010) | |
| HUNTER’S ILLUSION | 2017-03 (March 2017) | |
| I SAW A GREAT BIRD | 2007-09 (September 2007) | |
| ICEBERG LOOKOUT | 2013-09 (September 2013) | |
| IGLOO BUILDERS | 2018-01 (January 2018) | |
| IMPOSED MIGRATION | 2021-03 (March 2021) | |
| INTERRUPTED SOLITUDE | 2020-02 (February 2020) | |
| JOURNEY INTO FANTASY | 2021-06 (June 2021) | |
| JOURNEY TO KUDJUAK | 2007-11 (November 2007) | |
| KAYAK AND FISH | 2020-10 (October 2020) | |
| LANDING | 2018-11 (November 2018) | |
| LANDSCAPE OF BAFFIN | 2014-04 (April 2014) | |
| LANDSCAPE WITH CARIBOU | 2018-08 (August 2018) | |
| LONG JOURNEY | 2011-11 (November 2011) | |
| LOON IN A STRONG WIND | 2009-10 (October 2009) | |
| LOON IN OPEN WATER | 2009-11 (November 2009) | |
| LOON SPEAKS TO THE WALRUS | 2013-06 (June 2013) | |
| LOON SPEAKS TO WALRUS | 2017-08 (August 2017) | |
| LOONS AFFLOAT | 2020-01 (January 2020) | |
| LOONS AMONG MUSKOX | 2012-11 (November 2012) | |
| LOONS PROTECTING YOUNG | 2017-06 (June 2017) | |
| MAN AMONG THE LOONS; FESTIVAL OF THE LOON; SHELTERED BROOD | 2016-09 (September 2016) | |
| MAN CARRYING RELUCTANT WIFE, 1961 | ||
| MAN IN FISH WEIR | 2017-05 (May 2017) | |
| MAN WITH RABBIT | 2017-05 (May 2017) | |
| METIQ ON MALLIK | 2021-03 (March 2021) | |
| MUSK OX ON SEA ICE | 2012-11 (November 2012) | |
| MUSK OX TRAPPERS | 2016-09 (September 2016) | |
| MUSK-OX AND FRIENDS | 2009-10 (October 2009) | |
| MUSKOX AND FRIENDS | 2021-10 (October 2021) | |
| MUSKOX AND LOON | 2014-07 (July 2014) | |
| MUSKOX MIGRATION | 2018-02 (February 2018) | |
| MUSKOX NEAR ICE | 2008-04 (April 2008) | |
| MY HOME | 2009-02 (February 2009) | |
| NAJUQSIQTUQ | 2010-08 (August 2010) | |
| NAJUQSIQTUQ (THE BABYSITTER) | 2015-01 (January 2015) | |
| NAJUQSIQTUQ/THE BABY SITTER | 2017-03 (March 2017) | |
| NAUJAQ UMIALLU | 2010-10 (October 2010) | |
| NEW HORIZONS | 2012-11 (November 2012) | |
| NUNALI | 2009-03 (March 2009) | |
| OUR MASSIVE FRIEND | 2017-08 (August 2017) | |
| OVERSHADOWED BY A GREAT BIRD | 2015-01 (January 2015) | |
| OWL | 2020-06 (June 2020) | |
| PANGNIQ SNIFFS THE WIND | 2019-06 (June 2019) | |
| PATRIARCHAL PROTECTOR | 2017-03 (March 2017) | |
| PERILS OF THE HUNTER | 2021-12 (December 2021) | |
| POLAR BEAR CHASING FISH | 2017-03 (March 2017) | |
| PROTECTING THE YOUNG | 2017-03 (March 2017) | |
| PROTECTIVE HARBOR | 2017-03 (March 2017) | |
| PROTECTIVE HARBOUR, 1985 | 2023-06 (June 2023) | |
| PROUD BEARER | 2021-03 (March 2021) | |
| PROUD HUNTER | 2013-09 (September 2013) | |
| PROUD WALRUS | 2019-11 (November 2019) | |
| PTARMIGAN IN SUNLIGHT | 2014-09 (September 2014) | |
| PUNGNIALUK | 2021-10 (October 2021) | |
| QULAGULI | 2021-10 (October 2021) | |
| READY TO FLY | 2021-03 (March 2021) | |
| RUNNING POLAR BEAR CUB | 2014-10 (October 2014) | |
| RUNNING RABBIT | 2021-05 (May 2021) | |
| SADDLED MUSKOX | 2017-08 (August 2017) | |
| SEA DOGS CHASING FISH | 2015-08 (August 2015) | |
| SEA GODDESS HELD BY BIRD | 2014-09 (September 2014) | |
| SEAGULL AND MUSKOX | 2018-03 (March 2018) | |
| SEALS SURFACING | 2021-06 (June 2021) | |
| SEDNA | 2019-11 (November 2019) | |
| SETTLEMENT FROM A DISTANCE | 2013-02 (February 2013) | |
| SETTLING FOR THE NIGHT | 2020-03 (March 2020) | |
| SHAMAN'S TENT | 2020-01 (January 2020) | |
| SHAMANS TENT | 2020-02 (February 2020) | |
| SHAMAN’S TENT | 2013-07 (July 2013) | |
| SHELTERED BROOD | 2021-06 (June 2021) | |
| SHIP OF THE LOON | 2010-02 (February 2010) | |
| SNOW SWAN OF PARKETUK | 2019-04 (April 2019) | |
| SPIRIT WATCHING GAMES | 2021-06 (June 2021) | |
| SPIRIT WITH SYMBOLS | 2009-04 (April 2009) | |
| SPIRITS | 2020-01 (January 2020) | |
| SPIRITS DOMAIN | 2014-11 (November 2014) | |
| SPIRITS IN THE ARCTIC NIGHT | 2020-02 (February 2020) | |
| SPIRITS OF THE SEA | 2021-10 (October 2021) | |
| SPIRIT’S DOMAIN | 2012-11 (November 2012) | |
| SPRING CAMP AT IGAKJUAK | 2019-11 (November 2019) | |
| SPRING CAMP AT IQAKJUAK | 2019-11 (November 2019) | |
| SPRING HUNTER | 2021-03 (March 2021) | |
| SPRING LANDSCAPE | 2021-06 (June 2021) | |
| SPRING TRAVELLERS | 2017-08 (August 2017) | |
| SUMMER LOON | 2021-04 (April 2021) | |
| TALE OF A HUGE MUSKOX | 2021-06 (June 2021) | |
| THE DUCK POND | 2021-03 (March 2021) | |
| THE FISH TAKES FLIGHT | 2015-08 (August 2015) | |
| THE IGLOO BUILDERS | 2010-02 (February 2010) | |
| THE LOON AND THE FISH SPEAK | 2021-06 (June 2021) | |
| THE NEW AMAUTIK | 2008-05 (May 2008) | |
| THE ONE BETWEEN | 2015-07 (July 2015) | |
| THE OWL | 2019-09 (September 2019) | |
| THE SEASONS | 2019-06 (June 2019) | |
| THE SETTLEMENT FROM A DISTANCE | 2017-03 (March 2017) | |
| THE SETTLEMENT FROM A DISTANCE, 1982 | 2017-02 (February 2017) | |
| THE WINGED TALULAYOUT | 2007-04 (April 2007) | |
| THOUGHTS OF HOME | 2012-09 (September 2012) | |
| THOUGHTS OF MY CHILDHOOD | 2019-11 (November 2019) | |
| THOUGHTS OF WALRUS | 2021-12 (December 2021) | |
| TIMIAT TIMIJUT | 2008-06 (June 2008) | |
| TUDLIK | 2010-02 (February 2010) | |
| TWO LOONS AT SEA | 2021-03 (March 2021) | |
| UMAYULUK | 2018-08 (August 2018) | |
| UMIAKJUAK | 2016-02 (February 2016) | |
| UMIMMAK KALUNANIITUK (MUSKOX IN THE CITY) | 2021-02 (February 2021) | |
| UMINGMUK | 2021-12 (December 2021) | |
| UMINGMUNGA | 2021-10 (October 2021) | |
| UNTITLED | 2008-11 (November 2008) | |
| UNTITLED | 2020-11 (November 2020) | |
| UNTITLED | 2019-11 (November 2019) | |
| UNTITLED | 2007-09 (September 2007) | |
| UNTITLED | 2019-11 (November 2019) | |
| UNTITLED | 2019-11 (November 2019) | |
| UNTITLED | 2020-11 (November 2020) | |
| UNTITLED | 2020-11 (November 2020) | |
| UNTITLED | 2020-11 (November 2020) | |
| UNTITLED | 2018-05 (May 2018) | |
| UNTITLED | 2020-11 (November 2020) | |
| UNTITLED | 2020-11 (November 2020) | |
| UNTITLED | 2019-11 (November 2019) | |
| UNTITLED | 2020-11 (November 2020) | |
| UNTITLED | 2008-04 (April 2008) | |
| UNTITLED | 2019-11 (November 2019) | |
| UNTITLED (ECCLIESIAST, 1969) | 2012-04 (April 2012) | |
| UNTITLED (HUNTING SCENE) | 2012-04 (April 2012) | |
| UNTITLED (LANDING IN CAPE DORSET WITH CARIBOU, MAN IN BOAT AND SEALS ON FLOE) | 2015-06 (June 2015) | |
| UNTITLED (MAN OVER BLOW HOLE) | 2018-05 (May 2018) | |
| UNTITLED (OWLS) | 2019-03 (March 2019) | |
| UNTITLED (PLANE OVERHEAD) | 2019-03 (March 2019) | |
| UNTITLED (RETURNING FROM THE HUNT) | 2015-06 (June 2015) | |
| UNTITLED / FISH AND GULL (SEA CREATURES AND BIRD) | 2009-04 (April 2009) | |
| WE TRAVEL WITH THE LOON | 2014-04 (April 2014) | |
| WHALE HUNTER'S BOAT, 1987 | 2022-11 (November 2022) | |
| WHALE HUNTER’S BOAT | 2010-08 (August 2010) | |
| WINDS OF CHANGE | 2021-02 (February 2021) | |
| WINTER ANGEL | 2008-04 (April 2008) | |
| WINTER CAMP AT ITILEAKJU | 2020-01 (January 2020) | |
| WINTER DREAM | 2020-03 (March 2020) | |
| WINTER GAMES | 2007-11 (November 2007) | |
| WOMAN AT THE FISH LAKES | 2018-01 (January 2018) | |
| WOMAN WITH BIRD IMAGE | 2012-04 (April 2012) | |
| YELLOW BOAT | 2021-03 (March 2021) | |
| YOUNG LOON FISHING | 2021-02 (February 2021) | |
| YOUNG WOMAN | 2021-03 (March 2021) |
