Inuit art advocate Patricia Feheley appointed to Order of Canada
Nunatsiaq.com | December 30, 2021
Gallery director pushed for Inuit art to be considered fine art
By Thomas Rohner
Special to Nunatsiaq News
Pat Feheley’s love for Inuit art started when, as a little girl, her dad took her to Kinngait in 1969.
“Going up at an early age, I discovered I loved the land. Since then I’ve made some amazing friendships over the years,” Feheley told Nunatsiaq News from her home in Toronto.
Feheley is one of the newest recipients of the Order of Canada for her promotion of Inuit arts over four decades. She was named to Canada’s highest civilian honour when Gov. Gen. Mary Simon made 135 year-end appointments on Wednesday.
Other appointees with a connection to the north include Kugluktuk’s Asger Rye Pedersen, for his contributions to the growth and development of public government in the North, and Cambridge Bay’s Charlie Evalik for his contributions to the social and economic development of Nunavut, according to a news release Simon’s office issued Wednesday.
“If I have done anything over the years, I’d say I did my best to be a catalyst for bringing Inuit artists to the forefront of visual arts in Canada,” Feheley said.
She is the director of Feheley Fine Arts in Toronto, a studio space that has hosted “I don’t even know how many” solo exhibits of Inuit artists over the years, Feheley said.
Her father, Budd Feheley, was an early qalunaat collector and advocate for Inuit art in the 1950s.
Feheley finished her undergraduate degree in art history from Queen’s University in 1974 before completing her master’s in museology at the University of Toronto in 1979.
Since then, Feheley turned her father’s side business into a full-fledged business in Toronto, including gallery space and curatorial services.
“I spent most of my career in the early days making sure Inuit art was accepted as fine art,” Feheley said.
In the ’70s, most museums and galleries refused to show Inuit art, she said.
“I think to a great degree it had to do with misinformation and the fact that art historians were then very western-art-centric,” Feheley said.
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